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Jim Kunz

Jim Kunz
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Reflecting On Take Out
The Horrors of Hamilton High: The Making of Prom Night
Zombies and Bikers
Zombies and Bikers
Enter the Clones of Bruce
In Search of Darkness
Too Macabre: The Making of Elvira, Mistress of the Dark
Woodlands Dark and Days Bewitched: A History of Folk Horror
You're Invited: The Making of Night of the Demons
Game Changer: The Legacy of Saw
Memories of Monroeville: Revisiting the 'Dawn of the Dead' Mall
Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson
Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau
At the Waterfront After the Social: The Legacy of Sleepaway Camp
The Legacy of The Texas Chain Saw Massacre
Shop Til' You Drop!: The Making of Phantom of the Mall
Shop Til' You Drop!: The Making of Phantom of the Mall
Ding Dong, You're Dead! The Making of "House"
Ding Dong, You're Dead! The Making of "House"
Midnight Madness: The Making of "Popcorn"
Re-Enter the 'New York Ninja'
The Story of The Swimmer
Leviathan: Monster Melting Pot
The Naked Eye: Sex and the Mondo Film
The Brains Behind the Nightmare
The Golden Boy: Harvesting a Major New Martial Arts Maverick
Grindhouse All-Stars: Notes from the Sleaze-Cinema Underground
Blood and Chopsticks: Echoes of Night Screams
Two Weeks of Terror! The Making of Terror at Tenkiller
Blood, Sand, and Fire: The Making of The Hills Have Eyes Part II
The Quiet Revolution: State, Society and the Canadian Horror Film
The Life, Legend and Legacy of Donald P. Borchers
It's Getting Weirder! The Making of "House II"
It's Getting Weirder! The Making of "House II"
Home Deadly Home: The Making of "House IV"
Home Deadly Home: The Making of "House IV"
Ricky Today
The Quiet Revolution: State, Society and the Canadian Horror Film
Birth Pains
Raising the Dead: The Production Logistics
Raising the Dead: The Production Logistics
The Art of the Calendar
The Blair Witch Documentary
Starting a War: An Interview with Tony Kandah
Starting a War: An Interview with Tony Kandah
Shoot First: An Interview with Mark Morris
Shoot First: An Interview with Mark Morris

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